All is Fair

This week another tree was thread painted, again using the method from Nancy Prince's book, Thread Painting with Style, with two layers of tulle sandwiched between two layers of water-soluble stabilizer. (I almost typed 'fertilizer.' What the...?!)

It's a fair effort, not great, but hopefully each time they'll turn out a little better. Still don't know if I'll use this tree, along with the first two, for The Overlook quilt. If not, they'll likely turn up in a future quilt.

Not to mix fall with spring, but earlier this week there was some good news from the Kentucky State Fair. I had recently retrieved a finished quilt from the closet, figured out how to bury the remaining knots on the back, and taken a shot at entering it in the 2015 competition, since this state fair has used professional quilt judges in recent years and they give feedback. Thanks to Bobbie Gross for taking the photo and sending it to me.

Still Waters, 2013

For details and challenges of making this quilt, see blog entries dated June 27, 2013 through September 21, 2013. The Sept. 21 blog (linked) shows several 'before' and 'after' closeups.

That's it for this week. (Actually another sweater went into the Lucy drawer, but my good camera is out on loan, so I'll share a photo of the sweater another time.)

Linking up with Whoop Whoop Fridays. Sarah has a winner for the giveaway, and has made some very pretty coasters.

Have a wonderful weekend!

Linda

Just a Frame-up Job

No progress to report on the landscape quilt these last few weeks, but 24 blocks (tops only) are done for the next quilt for The Center for Women and Families (Louisville, KY).

It's kind of a scrappy/crazy quilt, and since each untrimmed block can sometimes be a bit bigger (or a lot bigger) than the final size, there are of course options as to where to cut the finished square.

The trouble is, for me at least, it's difficult to visualize the finished block while staring through all these lines, dots and numbers. Does anyone else find this challenging?

So it occurred to me to make a 'frame' to audition the final blocks. No doubt this has been done by other folks, but since I've never seen the idea anywhere, I wanted to share it. (I'm still pretty new at making quilts other than the landscape type.)

I placed the 12-1/2 inch ruler in the middle of a piece of white poster board, drew a line around the ruler, then cut just outside those lines, so that the cut-out would end up slightly larger than the ruler.

After moving the frame around on the block and settling on a position I liked, I dropped the ruler into the cut-out, lifted the frame away, and cut the final square.

This way of auditioning works so much better for my eyes and brain! Hope it'll help someone else who might never have thought to try this.

It was especially helpful on blocks that started out even bigger than this one did.

Also reorganized my thread, which had become a total mess. It's kept on the shelves VVHH (very versatile handy husband) made years ago for our son's Hot Wheels. Almost everything gets re-purposed around here!












Off subject, there are two new additions to the Lucy drawer:

This was made with Deborah Norville Serenity Baby acrylic yarn (slightly chunky) in the color called 'Sleepytime.' I love self-striping variegated yarns, and the little almost flower-like motifs that appear in the spaces between the colored stripes. I almost got the sleeves to come out looking the same. (Didn't plan ahead as well as I should have.)

The sundress is knitted from Deborah Norville Everyday acrylic worsted in the color 'Pond,' and Martha Stewart Crafts acrylic worsted for the solid green. The dress turned out a bit on the heavy side. The pattern called for cotton yarn, but I had thought the acrylic worsted weight would work okay. We'll see.






Here's the little love that makes me want to spend so much of my quilting time knitting instead. She just turned 5 months old on the 18th.

Lucy's shirt came from the Etsy shop of Lannie B. Handmade

VVHH and I now have the pleasure and privilege of watching Lucy (our first grandchild) for two days a week. She loves to watch me knit, by the way. And as soon as this kiddo can glue, I hope to have her in the studio making landscape quilts right alongside me!

Linking up with Whoop Whoop Fridays and WIPs Be Gone. Check them out, you'll be glad you did!

Have a great weekend~~

Linda

Up a Tree

This month has been a blur...or is it just me? That said, there's been some progress...

The free-motion thread landscape is done, except for a hanging sleeve. Some birds in the sky (or a pteranodon) might be nice, though. A boat was considered but just didn't happen.

(The quilt is squared, but the bottom edge was curling up a bit. Better block it.)

Again, a shout-out to Muv at Free Motion Mavericks for the inspiration to try an all-thread landscape. It was a refreshing change from the painfully slow progress on my Overlook landscape.

After days of fighting with the water section a while back, the green forest background had me stymied, too. Finally realizing, first of all, that the tree pattern in the green batik was distracting the heck out of me in my attempt to plan the actual trees I wanted there, I marched to the Sharpie drawer.

So much for the tree pattern. One problem solved.

But that was the easy one. I still didn't know how I was going to make my trees. My dubious plan was to fill most of the background with some fussy-cut fabric pieces and some machine-embroidered trees--which I had never even tried making. The only landscape element I'd ever machine-embroidered was bare-limbed shrubbery, using Alison Holt's method.

For this project I wanted full trees. I would get some practice at a new process, hopefully get comfortable with it (and at least halfway decent at it), and in the meantime, maybe some other inspiration would strike.

This time I reached for Nancy Prince's book. Both she and Alison thread-paint (machine-embroider) amazing trees.

The hoop was prepared using Nancy's method, which is two layers of tulle sandwiched between two layers of water-soluble stabilizer. This is dark-green tulle, which should blend into the background on my quilt. (Note: Nancy does not leave tulle around the finished edges, but I didn't want heavy stitching on the outer edges of my tree foliage, and therefore needed something to keep my edge stitches intact.) The tree was drawn directly on the stabilizer with a black Sharpie and a water-soluble marking pen.

Since I wanted to use heavy threads for the trunk and some of the darker under-foliage, I wound those on bobbins and stitched in free motion from the back (below) with a lighter-weight thread in the needle.

About 3/4 of the way through, the work was taken out, flipped, and re-hooped, after which lighter-weight threads in mid-tones and highlights were stitched directly on the front. Too many, I think...it needs more dark areas, as you can tell below.

This is the finished tree already cut out, rinsed, blocked and dried. You can see how heavy the bobbin thread was for the trunk (size 30, variegated cotton). Update--it is size 20, not 30.

Confession: that was not the first tree, but the second. Below is the first one.

Yeah. Turns out there was more orange than I realized, in this variegated thread. And the more I look at it, the foliage appears to be draped over the branches in one big piece, like some sort of camouflage mosquito-netting. Poor tree! Maybe it's not so bad for a first attempt, though, and I can carefully try to tone down the orange with some paint markers. The trunk will need some shading, too--which you're supposed to do with yet another shade of thread in this method, but markers will work for that, too.

Off subject, here's one of three new garments for the Lucy drawer.

Except for the ribbing, this one was knitted (from the neck down) with a single, variegated yarn, Deborah Norville Everyday in the color Cold Mountain. Working from the neck down, the stripey patterns are automatically matched (except where a new ball of yarn is joined--although that worked out pretty well here), and there are no seams at the end! Why I waited 40 years to try this method is a mystery to me. A creature of habit, I suppose. And double-pointed needles (sleeves only) tend to slow me down considerably.

Linking up with Free Motion Mavericks. It's the last week for the giveaway over there, so hurry and check it out! Also hooking up with Whoop Whoop Fridays, where you'll see a vintage wedding dress makeover. Wow!

Might as well wish everyone a great August at this point. Seriously, where did July go???

Linda

Incidentals

More FMQ was done this week on the densely-stitched fat-quarter landscape (see last week's post), but probably not enough to warrant new photos.

The background for the forest has been cut and glued onto The Overlook quilt top. Most of this tree-print batik piece will be covered up with various, more realistic-looking trees; whether made of fabric applique or thread-painted applique (or both) remains to be seen. Any dark green that's left showing through will hopefully give the impression of deep forest beyond. That's this fabric's main job; the printed trees are incidental.

That's all on the quilting front, except for this:

Mokie seems to like Pokey, too.

Got these recently for 40 percent off and no shipping costs. Three seasons of Quilting Arts TV with host Pokey Bolton! I like the current host, Susan Brubaker Knapp, just fine, but I do miss Pokey.

Incidentally, a couple of sweaters for Lucy got finished during the last couple of weeks. They're sized for 18 to 24 months, but she might be able to wear them this winter, at the rate she's growing!

The yarn is Deborah Norville's Everyday acrylic worsted (one of the softest yarns on the market), by Premier Yarns, in a variegated called 'Lilac Ridge.' It just knits out like this--all one yarn. I did my best to get the two front halves to knit out with the same 'stripe' placement, also the sleeves, but the almost perfect lineup at the armholes (well, one of them) was just a happy accident.

The other sweater is actually a kimono shirt, also knitted in a variegated acrylic Premier Deborah Norville yarn, this one in the Serenity Chunky line. The color is 'Berry Burst.'

Deliciousness...

It's very little exaggeration to say that the whole time I was knitting this, I wanted to EAT the yarn. It is thick (hence the 'chunky'), very textural but soft, and in person looks like strawberries and cream. My mouth literally watered a couple of times. I liked it so much that when the Serenity Chunky line of yarn went on sale at Joann Fabric online in early June, with free shipment on orders over $60, I went a little nuts and ordered four skeins each of the variegated yarns in this next photo.

Sherbet with sprinkles, anyone?

It might be hard to tell from the photo, but these look good enough to eat, too.

Hooking up with Whoop Whoop Fridays and WIPs Be Gone. Check them out!

Everyone have a great weekend, and, if you're in the U.S., a fun and safe 4th of July holiday!

Linda