Wednesday, July 29, 2015

Up a Tree

This month has been a blur...or is it just me? That said, there's been some progress...

The free-motion thread landscape is done, except for a hanging sleeve. Some birds in the sky (or a pteranodon) might be nice, though. A boat was considered but just didn't happen.

(The quilt is squared, but the bottom edge was curling up a bit. Better block it.)
Again, a shout-out to Muv at Free Motion Mavericks for the inspiration to try an all-thread landscape. It was a refreshing change from the painfully slow progress on my Overlook landscape.



After days of fighting with the water section a while back, the green forest background had me stymied, too. Finally realizing, first of all, that the tree pattern in the green batik was distracting the heck out of me in my attempt to plan the actual trees I wanted there, I marched to the Sharpie drawer.










So much for the tree pattern. One problem solved.






But that was the easy one. I still didn't know how I was going to make my trees. My dubious plan was to fill most of the background with some fussy-cut fabric pieces and some machine-embroidered trees--which I had never even tried making. The only landscape element I'd ever machine-embroidered was bare-limbed shrubbery, using Alison Holt's method.


For this project I wanted full trees. I would get some practice at a new process, hopefully get comfortable with it (and at least halfway decent at it), and in the meantime, maybe some other inspiration would strike.

This time I reached for Nancy Prince's book. Both she and Alison thread-paint (machine-embroider) amazing trees.

The hoop was prepared using Nancy's method, which is two layers of tulle sandwiched between two layers of water-soluble stabilizer. This is dark-green tulle, which should blend into the background on my quilt. (Note: Nancy does not leave tulle around the finished edges, but I didn't want heavy stitching on the outer edges of my tree foliage, and therefore needed something to keep my edge stitches intact.) The tree was drawn directly on the stabilizer with a black Sharpie and a water-soluble marking pen.


Since I wanted to use heavy threads for the trunk and some of the darker under-foliage, I wound those on bobbins and stitched in free motion from the back (below) with a lighter-weight thread in the needle.

About 3/4 of the way through, the work was taken out, flipped, and re-hooped, after which lighter-weight threads in mid-tones and highlights were stitched directly on the front. Too many, I think...it needs more dark areas, as you can tell below.

This is the finished tree already cut out, rinsed, blocked and dried. You can see how heavy the bobbin thread was for the trunk (size 30, variegated cotton). Update--it is size 20, not 30.



Confession: that was not the first tree, but the second. Below is the first one.


Yeah. Turns out there was more orange than I realized, in this variegated thread. And the more I look at it, the foliage appears to be draped over the branches in one big piece, like some sort of camouflage mosquito-netting. Poor tree! Maybe it's not so bad for a first attempt, though, and I can carefully try to tone down the orange with some paint markers. The trunk will need some shading, too--which you're supposed to do with yet another shade of thread in this method, but markers will work for that, too.

Off subject, here's one of three new garments for the Lucy drawer.


Except for the ribbing, this one was knitted (from the neck down) with a single, variegated yarn, Deborah Norville Everyday in the color Cold Mountain. Working from the neck down, the stripey patterns are automatically matched (except where a new ball of yarn is joined--although that worked out pretty well here), and there are no seams at the end! Why I waited 40 years to try this method is a mystery to me. A creature of habit, I suppose. And double-pointed needles (sleeves only) tend to slow me down considerably.

Linking up with Free Motion Mavericks. It's the last week for the giveaway over there, so hurry and check it out! Also hooking up with Whoop Whoop Fridays, where you'll see a vintage wedding dress makeover. Wow!

Might as well wish everyone a great August at this point. Seriously, where did July go???

Linda

14 comments:

  1. Your second tree looks fantastic. Your description of the first attempts gives me a chuckle. Now I can't help but see camouflage mosquito-netting. I love the sweater; what nice variegation. I'd totally trade my wardrobe for an "Afton Drawer".

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    1. Thanks, Afton! I'm kind of getting in the mood to start a Linda drawer. One big ol' sweater would probably end that fantasy.

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  2. The trees look fantastic!!! I think, I will have to look for the book. ;)
    Thanks for the tip!
    Greetings, Rike

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  3. Your trees and landscape are amazing. Welcome back. I've missed you and your quilting

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    1. Thank you! Well, I've gone off the grid again for a bit, but hoping to blog again soon.

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  4. Love the landscape, and the tales of the trees! :) Machine embroidery fascinates me, it seems so arcane.

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    1. I used to be so scared of it. But as long as the thread is behaving, it can become almost hypnotic. Thanks!

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  5. Hi Linda, your trees are beautiful. I wouldn't dismiss your first attempt - it might look great surrounded by other fall foliage. That's a LOT of work - not sure I'm ready for that yet.
    I really love your all-thread landscape. I think I may be ready for that! Thanks.

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    1. I hope you will the all-thread landscape, it's a lot of fun and very relaxing. Thanks!

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  6. I really like your landscape. I'm trying to figure out what the fabric looked like when you started. It all works perfectly together. I think your other trees are amazing, too, even if you don't think so. (And the sweater is gorgeous. Having to sew seams is what keeps me from making sweaters, so this really appeals to me.)

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    1. Hi, you can see the original piece of fabric at this link: http://lwkoenig.blogspot.com/2015/06/quilts-of-different-stripe.html
      Thanks, yes, it was wonderful not having any seams to deal with after knitting. I'll be using that method again for certain.

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  7. Hello Linda,

    July went into the summer time warp. I think I am in and out of warp mode at the moment.

    Wonderful, fab and totally gorgeous sunset landscape. How can we convince people that these thread landscapes aren't too difficult, and that with the variegated threads, to a certain extent, they just happen? But ooh Mrs., I'm impressed - the tinges of pink in the water, and the trees on the far side of the lake have reflections!

    Now I'm looking at the thread trees and thinking of how to put one in the foreground of a landscape...

    Sweet little jumper, and you have certainly got the stripes in the wool under control.

    Love, Muv

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    1. Thanks, Muv! Hey, that's a great idea, adding embroidered trees to the all-thread landscape. Something to keep in mind if I don't use them in the Overlook quilt--which is still in limbo. I'm so happy you noticed the pink variegation in the water. I have a feeling my water would have been pretty bland without it, because the sky is so colorful. On to yet another sweater for Lucy. These days I seem to be as much interested in knitting as quilting. Go figure!
      Love,
      Linda

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