So I distracted myself with other projects, assuming a solution would soon occur. Trees were thread-painted, an all-thread landscape was quilted and bound, twenty blocks were cut and pieced for a donation quilt, and several items were knitted for Lucy.
All the while, the Overlook project waited patiently in the corner. I pretended this didn't bother me. At one point I even gave it a long, cool stare and said (in my head), "You know, I don't have to finish you. I can cut you up and use your parts to make other landscapes. And don't think I won't. I've done that before." This helped take some pressure off me, but the Overlook appeared unfazed by my grim observation. Nor did it offer any new inspiration.
Then, this past Saturday, after coming to a halt on the donation quilt (the backing isn't pieced yet), I found my shifty gaze wandering around the studio for some new diversion...and fixing on the Overlook project. Moments later, it was under construction again.
Yep. Can you believe it took five weeks of brain strain for this section to wind up covered with 'blobs' after all? In my defense, most of them look like well-defined foliage, as they're cut from some realistic tree fabrics.
After coming up with a decent arrangement, I tucked a bit of fusible web under the exposed edges of each little fabric piece. This saved me a couple of afternoons of gluing and then waiting for the glue to dry. Bye-bye glue sticks! Hello fusible web...why did I never think to do this before???
Not only that, but the fusing took place right there on the design board--a drawing board with big metal clips--which is made of thick, multi-layered, hard-pressed paper. (And it didn't warp, as no steam was used.) No need to transfer anything to the ironing board or pressing mat!
The white things are vinyl-covered, felt-bottomed lead weights from the 1980s, intended for cutting out sewing patterns without using pins. Very heavy for their size, they don't scoot or get knocked around easily, so fabric pieces are kept well in place until they're fused.
The raw edges were then quickly stitched down by machine, using a fine-weight, smoke-colored monofilament. (Bits of fusing are only good temporarily, as fabric pieces can still come loose with handling. The sooner they're stitched down, the better.)
The next step will be making the cabin section, most likely off-site and constructed on a sheet of paper-backed fusible.
Oh! And those three trees that were thread-painted a few weeks back....
...they'll be placed on top of all the foliage pieces to give the forest a more defined finish.
(The tree edges look dark here because they'd just been coated with Fray Check. When it dried, they lightened up again.)
Off subject, there's one more item for the Lucy drawer. I love this yarn!
|Knitted funnel-neck pullover with crocheted shell hem edging|
Have a great weekend!